Studio Rhythm

For a long time, the weight of fine details held my work back. The turning point came during a hiking trip in Norway, where something flipped and I saw a path forward to a more authentic way of creating. I stopped overthinking the destination of a canvas and learned to trust the immediate spontaneity of the process.

Today, my practice is built entirely on pure creative intuition and spontaneous world-building. Operating out of my studio space, I work with fluid layers of bleeding acrylic, raw oil stick marks, spray paint, and raw pigments. I don't set out to paint a pristine, finished landscape; I paint to get lost in the rhythm of the medium, making split-second decisions until the canvas takes on a physical, tactile life of its own.

Moments Within Moments

Because the work is born out of momentum and spontaneity, every large-scale canvas becomes a massive, complex macro-world. The core of my philosophy is that if you look close enough, you will discover moments within moments hidden inside the chaos.

When you zoom in on a single macro square of a large painting, the composition shifts. The texture tells a different story. An individual inch can yield a completely unique, unrepeatable miniature landscape that would otherwise be lost in the scale of the masterwork., which is often why i break down a large canvas into smaller pieces after completion. My work asks you to slow down, look closer, and find the intentionality hidden inside.

Coming Soon: The Hey You Mail Club

I’ve always been someone who collects physical mementos from the places and things that inspire me—a scrap of paper, a unique texture, a tiny remnant of a specific day. I keep them because they ground a fleeting memory into something tangible you can actually hold.

That is exactly why I’m starting the Hey You Quarterly Mail Club.

Art matters because it is a shared human connection, but too often, fine art feels like it belongs behind clean gallery walls. I want to build a direct bridge from my studio table straight to your hands. Instead of only releasing large, singular paintings, this upcoming club is my way of breaking those big worlds down into smaller, intimate pieces.

Every quarter, I will be translating the textures and colors of my larger canvases onto premium, heavy cardstock stationery, and sharing actual, raw scraps of painted canvas cut straight from my studio table. It turns abstract art into something physical, accessible, and deeply personal—pieces you can keep for yourself or write on and share with the people around you.

It’s a simple way to pass along those "moments within moments" and build a real community around the work, one mailbox at a time.